http://yogaschelter.com/blog/wp-content/uploads/handstand_1.jpg için Google Görsel Sonuçları
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03 Kasım 2009 Salı
handstand
01 Kasım 2009 Pazar
bmw - calder
art « But Is It Art?
From the Irish Museum of Modern Art – This BMW 3.0 CSL was decorated by Alexander Calder and driven in the Le Mans 24 hr race in 1975.
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31 Ekim 2009 Cumartesi
Virtureal by Jelte van Abbema / dijital sözcük ile duygu ifade etmeyi araştırmak
Dezeen » Blog Archive » Virtureal by Jelte van Abbema
Van Abbema also attached sensors to an old-fashioned mechanical typewriter (below) so that words appearing on a computer screen varied in intensity according to how hard the keys had been struck.
explores how to express emotion through the digital word.
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28 Ekim 2009 Çarşamba
Center for Public Practice - San Francisco Art Institute
Center for Public Practice - San Francisco Art Institute
Center for Public Practice
The Center for Public Practice currently offers three tracks of investigation that allow you to customize your own program of study: Social Environments, Spatial Situations, and In-Transit: Networks and Systems of Circulation. Social Environments encourages you to consider the social environment as material for your work. Projects are generated from and with the social context of collaborations, encounters, or public actions and activities. The focus is on social reality as a primary dimension of your work. Spatial Situations, you consider the intersection of the built and natural environment: the ways geography and geology collide with constructed aspects of the environment—airport terminals and neighborhood malls in urban, suburban, and rural contexts, for example. In-Transit: Public Networks and Systems of Circulation focuses on ways that public spaces are systematically connected or disconnected both locally and globally. This can include anything from surveillance cameras in local food marts, the mail delivery system, transit systems both physical and virtual, and GPS programs using satellite mapping and navigation. You are encouraged to intersect, critique, or hijack these systems in the process of making art.
Center for Public Practice
The Center for Public Practice currently offers three tracks of investigation that allow you to customize your own program of study: Social Environments, Spatial Situations, and In-Transit: Networks and Systems of Circulation. Social Environments encourages you to consider the social environment as material for your work. Projects are generated from and with the social context of collaborations, encounters, or public actions and activities. The focus is on social reality as a primary dimension of your work. Spatial Situations, you consider the intersection of the built and natural environment: the ways geography and geology collide with constructed aspects of the environment—airport terminals and neighborhood malls in urban, suburban, and rural contexts, for example. In-Transit: Public Networks and Systems of Circulation focuses on ways that public spaces are systematically connected or disconnected both locally and globally. This can include anything from surveillance cameras in local food marts, the mail delivery system, transit systems both physical and virtual, and GPS programs using satellite mapping and navigation. You are encouraged to intersect, critique, or hijack these systems in the process of making art.
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The Art Collider - InOut
TheArtCollider is a platform for connected creation of time based art aiming towards a collaborative approach of media art creation through a system of Peer-to-Peer or Artist-to-Artist production.The Art Collider - InOut
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Reinventing Social-networking Practices for Art and Design
- San Francisco Art Institute
Tuesday, 10 November 2009
7:30 to 9:30pm
SFAI Café
800 Chestnut Street campus
Free and open to the public
Part of a larger ongoing collaborative project between SFAI and Université Paris 1 Panthéon-Sorbonne in Paris, SFAI’s Fall 2009 Design and Technology Salon—Reinventing Social-networking Practices for Art and Design will bring together in conversation SFAI Film department chair Lynn Hershman Leeson, Paris-based new and emergent media art pioneer Maurice Benayoun, Stanford University researcher and SFAI faculty member Matteo Bittani, and SFAI Design and Technology department chair Paul Klein (moderator).
Panelists will introduce and discuss concepts for producing connected media through systems of artist-to-artist production—productions that, in turn, will generate multiple avenues of work and inspiration for other, similarly engendered projects. Traditional aspects of open-source software, shared systems of production, and notions of authorship—particularly as configured by the advent of social-networking practices—will be interrogated with a view both to broadening the discourse on open-source platforms and to their emerging relevance to and applicability within art and design practice.
Bios of Participants
Chair of SFAI’s Film department, artist and filmmaker Lynn Hershman Leeson is known internationally for her pioneering use of new technologies. Her three feature films—Strange Culture, Teknolust, and Conceiving Ada—have been shown at festivals across the world and have won numerous awards. Recently honored with grants from Creative Capital, and the National Endowment for the Arts, she is also the recipient of a 2009 John Simon Guggenheim Memorial Foundation Fellowship. She is currently working on a feature-length documentary—Women Art Revolution—about the revolutionary feminist art movement.
Paris-based new and emergent media art pioneer Maurice Benayoun is one of the founders of CITU. A director in the 80s of video installations on such artists as Daniel Buren and Sol LeWitt, he cofounded Z-A, a virtual reality lab. He collaborated with Belgian graphic novelist François Schuiten on Quarxs and received the Bourse Louis Lumière/Villa Médicis Hors les Murs award for his project Art after Museum. Together with architect Christophe Girault, he won in 2006 the competition for the new permanent exhibition in the Arc de Triomphe in Paris, which opened in 2007.
An academic researcher at the Stanford Humanities Lab at Stanford University, Matteo Bittani also teaches at CCA in San Francisco and Oakland and at SFAI, where he will be teaching the course Cinema 2.0, which is partly based on the issues that will be raised in the Fall 2009 Design and Technology Salon. A curator at the Tech Museum of Innovation in San Jose, he has written for such publications as WIRED and Rolling Stone.
Chair of SFAI’s Design and Technology department, Paul Klein investigates the discursive realms of compact and decentered urbanity. He has explored the cultural practices inherent in spectatorship, identity, and xenophobia, and his artwork has been exhibited at SFMOMA, the San Jose Museum of Art, the Alternative Museum in New York City, and the Museum of Modern Art in Cartagena (Colombia). His work was also included in In Transition: Russia 2008 at the National Centre for Contemporary Art (NCCA) in Moscow and in the five-venue traveling exhibition New Realities: Hand-colored Photographs, 1839–Present.
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26 Ekim 2009 Pazartesi
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